Hope For A Global Ethic

if. Volume XXII, No. 3. MERCYHURST COLLEGE, ERIE, PA. December 14, Tableaux Through a series of tableaux explained by readers, Mary. Lou Dwyer ember 17, in the college auditor- ium. Angel. Louise Kamenjar; Isals,. Doris Moore; Zachary, Nancie. Sigmund; Three Kings, Florene .. Blessed angels!.

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His stellar debut, with innovative foods and surprising flavor combinations, is imbued with his infectious excitement about cooking. Sections on book club—ready snacks and cocktails are great for parties. Instagram and YouTube sensation Oakley debuts a bold vegan collection featuring recipes that helped him to give up meat and dairy. This visually stunning resource will especially interest foodies who love to cook. Ottolenghi offers a pared-down version of his signature Middle Eastern—inspired fare.

His many fans will want this book, but his creativity and humor will also appeal to home cooks looking for exciting, approachable recipes.

No one is better than Turshen at coming up with unpretentious, delicious, and approachable recipes for home cooks of varying skill levels; plus recipes for a variety of occasions. This beautiful book teaches readers to use flowers, plants, and recycled food waste to create natural dyes and inks. Behan also provides instructions for projects such as cushion covers and gift tags.

With appealing projects organized by how much fabric they use swatches, fat quarters, one yard, or multiple yards , this book helps sewists make the most of prized fabrics in their stash. Featuring instructions for four sweater styles, plus the detailed, straightforward information about customization and fit Herzog is known for, this is a reference knitters will return to again and again. Here she teaches readers how to design, create, and use hand-printed fabric. Focusing on ways to use your new calligraphy skills, this beautifully designed book features a variety of hand-lettering projects.

Katz brings a fresh sensibility to an age-old craft, providing information about materials, knots, and techniques, as well as instructions for numerous decor projects. Running Pr. With in-depth discussion of the merits of different tools and how to move from foundation strokes to lettering, this is an excellent guide for those just getting started with calligraphy. Hardie Grant. The book works equally well as eye candy and instruction. Wesleyan Univ.

Copper Canyon. These meditations register righteous anger but also celebrate American greats from Baldwin to Hendrix—and prove that Hayes is an American great himself. Coffee House. A vibrant yet exacting work. Blending sports and music, John Brown and Brown v. Bass delves into the spiritual aspects of gratitude and the life-changing effects of practicing gratefulness in personal and civic spaces. Personal insights enrich this portrait of gratitude as a goal and way of life. Responding to an increase in youth-led momentum, His Holiness the 14th Dalai Lama addresses the challenges upcoming generations will inherit: systemic poverty, environmental neglect, and fractured politics.

He calls for compassion as a means of moving forward. Thomas Nelson. What does it mean to love everyone and how can one go about it? In his latest work, Goff attempts to find out, offering a humorous and humanistic take on finding the right friends and discovering the upside of failure.

Princeton Univ. This wide-ranging and often surprising history of Judaism as a religion and identity demonstrates that Jews have always been pluralistic. While dense and detailed, this work is ideal for anyone looking for a comprehensive history. Klein demonstrates how the Christianity of her youth was actively weaponized against female sexuality and examines the ingrained beliefs that influence how Evangelical girls and women should behave.

A potent account of purity culture that deserves attention. This engaging tale of the contentious relationship between two influential figures—one who remained a Catholic Desiderius Erasmus , the other whose teaching spawned Protestant denominations Martin Luther —provides much-needed historical insight. North Atlantic. Whether discussing social justice, environmental activism, Native rights, and war and peace, Mitchell raises universal connections. The spirituality she displays is at once vibrant and intriguing.

Anyone interested in holistic faith traditions will find her work rewarding. With lyrical prose, Stone expands upon her experiences as a doula in this quiet memoir of living among economically poor yet spiritually rich women. Ultimately, she recognizes that life itself is a paradox, with hope as the most paradoxical of virtues. SCI As Brusatte tells the story of the dinosaurs, he also tells his own: how he turned a boyhood obsession with dinosaurs into an exhilarating scientific career.

He traces how dinosaurs adapted to drifting continents, shifting sea levels, and a fluctuating climate. Excellent character sketches make it almost novelistic, but readers never doubt that the details are backed by solid reporting. TECH By exploring the potential of algorithms for everything from finding patterns in criminal activity to diagnosing cancer, this latest book from Fry raises hard questions about the ethics and hidden dangers of relying too heavily on artificial intelligence.

Metropolitan: Holt. SCI George explores the economic and social injustices surrounding blood, injustices that have a particularly high impact on women. The result is a fascinating work for all those curious about blood as commodity in the world economy. Liveright: Norton. TECH McCullough builds a detailed and highly insightful overview of the influencers and ideas that have shaped the everyday technologies we take for granted, showing how the Internet has infiltrated our homes and lives to the degree it has today.

By showing their successes and mistakes, Mann counsels us to hope even as we cannot agree on how best to proceed. SCI From the coast of Panama to the foothills of the Sierra Nevada, Pyenson explores remaining questions about whales while also examining evidence for the evolution of the species from land mammals to the sea creatures we are familiar with today.

SCI Quammen leads readers on a winding journey in search of the genetic heritage of life on Earth, introducing scientists who have been at the forefront of the research and discussing their personalities and professional disputes. NAT HIST Proving that rising sea levels are not just a vision of the future, environmental writer Rush visits several states to see the effects of climate change and meet those impacted by rising waters along with researchers documenting it all. NAT HIST Williams illuminates the for-profit fossil trade, highlighting the people who find, prepare, and auction works of prehistory, including large dinosaurs.

She skillfully navigates this unique nexus of paleontology and law along with its notorious black markets. SOC SCI Having working as a corrections officer at a private, for-profit prison, Bauer weaves that experience with the long history of for-profit incarceration in the United States. He tells a powerful story at a moment when Americans are asking hard questions about incarceration. SOC SCI Activist Mckesson lays the foundation for an ongoing discussion on race and civic engagement while reiterating the need to work for a better tomorrow. He acknowledges the gains of the civil rights movement as he recognizes the continued struggle for social justice.

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Archive for the ‘Looking Ahead’

SOC SCI After conversations on racism, the privileged often remain blithely unaware, leaving people of color frustrated. Basic: Perseus. LAW More than half of those incarcerated in the United States live with mental illness, and mass incarceration has aggravated the issue. Roth explains how correctional facilities have become mental health providers by default and sheds light on our criminal justice system.

Her touching story is about power and helplessness, loneliness and identity, and the strange juxtaposition of poverty and privilege. Their personal stories show how they have lobbied to raise awareness for immigration reform. His memoir provides untold insight behind this important family name in baseball. Bass uses the game of soccer to relate the changing Lewiston, ME, community, where several Somali refugees have since settled. A touching work showing how different groups can come together through sports. Bryant covers the history of politics and sports and how they have become intrinsically entwined.

One of the most important books of An enjoyable and unputdownable book with insight into running and the training involved. A good message on positivity for runners and nonrunners alike. A remarkable biography that paints a clear picture of why people should care about Rocky Marciano and the important impact he made on pop culture.

Edge of Sports. Thomas interviews athletes, coaches, and sports personalities as he covers topics related to activism from the sporting realm and how it is perceived in America. A necessary read. PSYCH An erudite and timely exploration of the cultural history and neurological underpinnings of empathy and how individuals and institutions can employ it to improve society. Twelve: Hachette. Sounds True. Health Communications. HEALTH Experts on brain science, medicine, and elder-care issues offer straightforward and practical recommendations on mental functioning and offer actionable tips to help reduce the odds of cognitive decline.

Bellevue Literary. Narrowly escaping death at every turn, Alpha finally arrives in France, only to discover a new set of challenges. Inspired by true events, this prize-winning chronicle evokes empathy and admiration. Lion Forge. The results culminate in a hilarious and highly ambitious first book from Disney animation director Dhaliwal. Thriller This Man Booker Prize—nominated story of a military office drone supporting his troubled friend whose eponymous girlfriend has disappeared, subtly becomes a chilling indictment of our shock-and-awe news cycle, clickbait psychology, and a distinctly American brand of personal isolation.

Heightened by emotionally flat illustrations reminiscent of an intentionally bloodless Daniel Clowes. Gallery S. The experience emotionally crippled him. A virtuosic epic on par with any work of literature, released in any genre, this year. This entertaining, tragic, and ultimately inspiring work of political art examines the importance of artists in a free society. ComicsArts: Abrams. A fascinating history exquisitely rendered in the graphic medium. Get connected. Join our global community of more than , librarians and educators.

Log In. Invalid email or password. Try again. Forgot password? LOG IN. Don't have a Library Journal Account? Register Now. Collection Management Fiction Media Nonfiction. Innovation Management Marketing Programming. Impacts Innovation Management. Awards Careers Industry News Innovation. LIS Management Marketing. Innovation Management Marketing. Live Events Virtual Events. Online Courses Webcasts. Privacy Policy. Subscriber Services. View the Slideshow of Best Books. Atkins, Lucy. The Night Visitor. Berney, Lou. November Road. Clark, Tracy. Broken Places. Fredericks, Mariah.

A Death of No Importance. French, Tana. The Witch Elm. Lippman, Laura. Loewenstein, Laurie. Death of a Rainmaker. Mukherjee, Abir. A Necessary Evil. Nakamura, Fuminori. Cult X. Siger, Jeffrey. An Aegean April. Hendrix, Grady. We Sold Our Souls. Ortberg, Daniel Mallory. Saadawi, Ahmed. Frankenstein in Baghdad. Stage, Zoje. Baby Teeth. Tremblay, Paul. The Cabin at the End of the World. Waiting for Eden. Cassara, Joseph. The House of Impossible Beauties.

Clement, Jennifer. Gun Love. Enger, Leif. Virgil Wander. Iweala, Uzodinma. Speak No Evil. Makkai, Rebecca. The Great Believers. Orange, Tommy.

There There. Powers, Richard. The Overstory. Shteyngart, Gary. Lake Success. Taneja, Preti. We That Are Young. Alam, Rumaan. That Kind of Mother. Castillo, Elaine. America Is Not the Heart. Coster, Naima. Halsey Street. Gabel, Aja. The Ensemble. Greenwood, T. Jones, Tayari.

An American Marriage. Moran, Caitlin. How To Be Famous. Balogh, Mary. Someone To Care. Burrowes, Grace. My One and Only Duke. Byrne, Kerrigan. The Duke with the Dragon Tattoo. Cole, Alyssa. A Princess in Theory. Goodman, Jo. A Touch of Flame. Guillory, Jasmine. The Proposal.

James, Eloisa. Too Wilde To Wed. Krentz, Jayne Ann. Promise Not To Tell. Vale, Maria. The Last Wolf. Ward, J. Andrews, Ilona. Diamond Fire. Blake, Marnee. Tempt the Flames. Parrish, Roan. Sebastian, Cat. Unmasked by the Marquess. Stetz-Waters, Karelia. Worth the Wait. Camp, Bryan. The City of Lost Fortunes. French, Jonathan. The Grey Bastards. Kowal, Mary Robinette. The Calculating Stars. Kuang, R. The Poppy War. Mammay, Michael. Novik, Naomi. Spinning Silver. Okorafor, Nnedi. Binti: The Night Masquerade. Roanhorse, Rebecca.

Trail of Lightning. Tidhar, Lavie. Unholy Land. Wells, Martha. Exit Strategy. Adjei-Brenyah, Nana Kwame. Friday Black. Berlin, Lucia. Evening in Paradise: More Stories. Bonnaffons, Amy. The Wrong Heaven. Brinkley, Jamel. A Lucky Man. Cooper, Paige. Felver, Brad. The Dogs of Detroit. Millet, Lydia. Fight No More. Slouka, Mark.

Our Guide To 2013’s Great Reads

Trevor, William. Last Stories. Wilson, Kevin. Small Country. Guelfenbein, Carla. In the Distance with You. Mandanipour, Shahriar. Moon Brow. Murakami, Haruki. Killing Commendatore. Murata, Sayaka. Convenience Store Woman. The Labyrinth of the Spirits. Shin, Kyung-sook. The Court Dancer. Starnone, Domenico. Tawada, Yoko. The Emissary. Tokarczuk, Olga. Download the List. Bernstein, Jamie. Famous Father Girl. Bonanos, Christopher. Chee, Alexander. How To Write an Autobiographical Novel. Dery, Mark. Field, Sally. In Pieces.

King, Maxwell. Peisner, David. Rioux, Anne Boyd. Chung, Nicole. All You Can Ever Know.

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Iftin, Abdi Nor. Call Me American. Khan-Cullors, Patrisse. Laymon, Kiese. Heavy: An American Memoir. McBride, Sarah. McCubbin, Lisa. Mailhot, Terese Marie. Heart Berries. Westover, Tara. Coyle, Daniel. Davenport, Christian. Every living creature must face the will and judgment of time. Ancient Greeks personified time in the form of the titan Kronos, father of Zeus, and Egyptians celebrated Heh as an abstraction of endless years. If you or anyone you know has ever received a terminal diagnosis, the first thought is about time. Emperor of Sand offers the next conceptual and instrumental evolution for these musicians.

Two years later, Leviathan was about hunting a metaphoric whale that could solve all of your problems, or it could kill you in the hunt. We took a journey up Blood Mountain and vaulted all of the hurdles that needed to be cleared for survival. Crack The Skye was its own deep and twisted concept.

The Hunter was loosely based on dealing with death. To that end, it ties into our entire discography. We tend to draw inspiration from very real things in our lives. He spent the next six months making regular trips to Rochester, NY before her untimely passing in September. No matter how old I was, my mom never let go of worrying about me, checking in on me, and trying to give me advice on life. As jamming ramped up, a narrative took shape for Emperor of Sand.

He gets lost, and the sun is zapping all of his energy akin to radiation. He adds all of these bells, whistles, and perks outside of being an awesome musician in his own right. Everything came together lickety-split. We still have the same four guys after 17 years. I love it, and I love those dudes. I hope someone will find it touching. We navigate through difficult circumstances musically and in life as brothers. The talented young rapper who hails from Cleveland, OH possesses the attitude of rap greats with the talent to match. From his gritty rhymes to his tenacious presence, MGK has become a permanent staple in the hearts of his ever so growing fan base.

The ability to seamlessly blend hip-hop and rock genres has allowed MGK to reserve a top spot in both worlds. Living life and doing what you have to keep moving forward. Machine Gun Kelly is putting the finishing touches on his sophomore album, slated for release in summer This record is really instrumental and completely built on my personal experiences. Whoever you are, you can accomplish anything that you put your heart and mind into. The Ohio native also has a role in Cameron Crowe and J. Having shared the stage with acts ranging from Rise Against to Slayer, the diversity and versatility of their touring is unparalleled and a true testament to their reach.

If you take for granted that music exists as an expression of the inner mortal psyche, life can turn into an infinitely captivating adventure when musical creation is placed in the hands of a singular breed of enigmatic perfectionists. When those graced with the rare gifts of astounding technical abilities and songwriting prowess are also fueled by a sacred trinity of creativity, originality, and self-belief, the results will always steer clear of any sub-genre categorization. An entity that has not sounded like anyone else in over thirteen years, MESHUGGAH are one of the few purely and honestly lateral-thinking forces genuinely dedicated to pushing the boundaries of extreme music simply because doing so comes naturally to them.

Unafraid to take risks and tackle new experiences, they create albums you can listen to six years later and still discover things you never noticed before. Every copy sold. Produced by a year-old Daniel Bergstrand at Soundfront Studios in Uppsala, Sweden and consisting of equal parts instinct, inspiration, and natural talent, Destroy Erase Improve provided positive proof that the band had tapped a truly multi-dimensional, divergent vein. A mind-bending masterpiece. After pushing the limits of heaviness with Chaosphere, there was only one place left to go: even heavier.

Completed just two days prior to the band leaving Sweden to join Ozzfest, the darker, more sinister, and all-encompassing menacing vibe of Nothing was doused in accolades. It would be three years before the next studio album surfaced, but in the interim, kudos for the band kept coming. Such furiously mesmerizing music obviously requires its share of discipline.

An audio exam in patience and endurance, Catch Thirty Three offered a reward only to those who were insistent on completing the journey through this warped, metaphoric dream state. Obviously mastering the 8-string guitars that were prototypes on the previous album, MESHUGGAH tapped into the hypnotic power of repetition, suggesting a lot of visual imagery and movement.

Again, the praise was incessant. Change breeds change. Change fosters growth. Growth is life. Like the thunderous pulsations of the heart incessantly beating to get us through this menial existence we call life, MESHUGGAH excels at revealing that all paths leading to syncopated bliss are paved with arrhythmia.

Black Label Society bandleader Zakk Wylde wields his guitar like a Viking weapon, bashing out thick riffage and squeezing out expressive squeals as if the glory of his Berserker brotherhood depends upon every single note, which of course, it does. They are the soundtracks to sweat soaked revelry, jubilant evenings that descend into bewildering mornings, and adrenaline fueled sports. BLS is rounded out, in the studio and onstage, by guitarist Dario Lorina since and powerhouse drummer Jeff Fabb since To many, Wylde is synonymous with pinch harmonics as much as Chuck Berry dreamt up the duck walk.

His infamous leather bellbottoms hang in the Grammy Museum. He is a playable character in the Guitar Hero games. One part invading horde and all parts traveling carnival party, Black Label Society traverses the world powered by caffeine and cacophony. BLS engages and inspires audiences everywhere they go, on every radio dial they burn, inviting all comers to join in and participate in their brotherhood and sisterhood of hard rock and vigor.


  • Dark Horse December 12222 Solicitations, Aliens Vs Predator Vs the Butcher of Paris.
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Now ten studio albums deep, with solo records, Ozzy shows, and Zakk Sabbath tours all kicking ass simultaneously, Black Label Society rides ever forward, fist held high. Originally formed as a duo—alongside founding member Ken Jordan, who retired from the music business in —The Crystal Method today lives and breathes as a solo act, with co-founder Scott Kirkland at the helm. For the new album, which he co-produced with Glen Nicholls, Kirkland dove deep into the decades-spanning discography of The Crystal Method.

The result is a sound that revisits the roots of the classic Crystal Method aesthetic, while pushing its possibilities into the future. To perfect this fine balance, Kirkland took a back-to-basics approach, which saw him firing up his arsenal of analog synths and reconnecting with his collection of vintage gear. Every song has a different BPM, every song has different emotions, every song has different elements. Where the genre constantly offers tired and recycled noise, Kirkland answers with an album built on organic sounds, a wide emotional range and, ultimately, real music.

The natural noise of analog gear is part of the sound. I wanted to make a timeless album that sounded great and that conveyed an emotional narrative and a strong appreciation of the album format. Most recently, Kirkland wrote his first-ever film score for the documentary Hired Gun and wrote the theme song for 3 Below, the upcoming TV series from Academy Award winner Guillermo del Toro, which debuts on Netflix this fall. At the end of it, I go home to my family, I go home to my studio, and then I go back out.

I tried to capture all this in an album. Modern bands often seem faced with the choice between being challenging and being accessible. These ideas tend to be presented as opposite poles, two irreconcilable objectives that cannot co-exist without one taking precedence over the other. But for Circa Survive there exists another option, one where huge ideas and unbridled imagination can commingle with nuance and vulnerability.

From the release of their debut, Juturna, to their major label release, Blue Sky Noise, to today with The Amulet, Circa Survive has made a career of turning all of the things that make them difficult to categorize into their greatest strengths. On The Amulet, Circa Survive continues this legacy, but filtered through the unique lens of their punk and alternative roots. Drawing on the raw power of punk and post-hardcore, the earnestness of emotional alternative, and the unrestrained experimentation of art rock, the band effortlessly creates a sound that can be compared to very few, but appeal to many.

For Green, no idea is too big or too small, and everything can be explored with the same mix of wonderment, dark fascination, harrowing honesty, and hope. The Amulet pushes this approach to a demanding new level as Green examines parallels between the world ending, our chaotic social and political climate, and the very intimate strain of personal upheavals.

A loss of innocence ties these drastically different threads together: a sense that certain events can irreparably change our perspectives and make it impossible to view our world, our governments, or our personal lives through the same rose-colored glasses. Death is tied to birth, unrest is tied to revolution, emotional pain is tied to personal growth, and the only way to reach catharsis is to first lean into the storm. The Amulet is meant to be a tangible manifestation of that catharsis, the kind of relief that comes from accepting the pain of loss—personal, socio-political, and cosmic—and moving forward.

Time has just weathered us, we got through the hard times and came out the other end, and I feel like this is the pinnacle of the band personally and creatively. After 13 years as a band, Circa Survive are no strangers to pushing sonic and lyrical boundaries, yet The Amulet still finds the band diving even farther into the deep end, pushing themselves to create brand new sounds, and taking on ideas that stretch from the universal to the most personal.

In a musical landscape that seems predisposed towards instant gratification, Circa Survive may appear to be made from a mold that no longer exists, but fitting with modern bands or icons of the past has never been their goal. Circa Survive dares to ask more of themselves and their listeners—old and new—and in return they offer a soundtrack for the bold, the sincere, and the inquisitive. Skillet lets their music speak the loudest. Channeling an intense muse, John immediately commenced writing just months after Rise hit shelves. I wanted to make a record that made people feel the music — an album that would connect people to the music as well as to each other.

That idea solidified as Skillet toured Europe in with Nickelback. Night after night, John watched the non-English speaking audience sing every word back to him. It left an indelible mark on his writing process. We wanted to get that emotion across more through the music than with the words. I aimed to write songs people could easily relate to anywhere and everywhere. When I met Seth we just clicked.

The entire process with each of them was such a great experience. This is a reminder not to. This is my family. They make our shows what they are. Beartooth began as an emotional exorcism. Conceived, constructed, and unleashed by one man in a basement studio. The fierce dedication to honesty, authenticity, and raw fury demonstrated by Caleb Shomo is at the center of everything Beartooth represents.

These are anthems for the downtrodden and disconnected, celebrated with sing-alongs on international tours; supporting Slipknot, Bring Me The Horizon, or Pierce The Veil; on the Kerrang! What began as artistic self-medication for a single multi-instrumentalist and producer, with no career aspirations or grand plans, quickly caught fire.

As Beartooth became a fully functioning band, bringing these intimate musings to the masses, that purity remained, via a consistently isolated creative methodology. The third full-length album from Beartooth is a painstaking, riff-driven examination of the unshakeable throes of depression. This is music about survival. At the end of the day, it is a very dark album. Even as Shomo and his bandmates played to sold-out crowds across Europe, the battle against mental illness and childhood issues returned, and the seed for Disease was planted. The title track was the first song written for it, setting the overall tone.

As always, Shomo recorded vocals, guitars, bass, and drums, and mixed the album himself with assistance from an engineer, now with executive producer and Grammy winner Nick Raskulinecz, who has worked with Foo Fighters and Rush. To further enhance the emotional realism Beartooth champions, the third full-length album was tracked in a brand new environment, with an old-school urgency. After crafting the songs in his usual basement domain, Shomo made the trip from the familiar comfort of his equipment and isolation in Ohio to Blackbird in Nashville. Thankfully, going into that environment just brought out the best.

It made the songs feel even more real. It was all worth it. The famous recording studio was the birthplace of pivotal work from a massive list of legends, tastemakers, and up-and-comers; like Alice In Chains, Taylor Swift, and Greta Van Fleet. Disease really encompasses everything emotionally that I wanted to convey. I wrote a couple songs and I felt way better afterward. Especially with this record, there are no compromises. It is exactly what I wanted to make. With Beartooth, what begins each time as the personal expression of one man is shared with his bandmates, then through the power of musical inspiration and connection, is given to the world then returns to its creator, to begin the cycle anew.

But I knew that at some point, I had to learn from it. Or let it inspire us to live the life that Tom would have wanted us to live. I was very worried about people taking away a despondent message from the album. I felt a level of responsibility to provide a light at the end of the tunnel for people who are going through terrible experiences. Finding a way forward, the band spent six months from the Fall of through the Spring of this year recording what would become the song album, with Dan and guitar player Josh Middleton handling production.

With Armstrong and Alge at the helm, Aimee and the Bivona brothers channeled the raw energy of their lives shows by recording almost entirely to tape. It was definitely high-pressure, but also really fun. As the co-founder of Rage Against The Machine, Audioslave and Prophets Of Rage, and through collaborations with everyone from Bruce Springsteen to Johnny Cash, he has continually pushed the limits of what one man can do with six strings.

Morello knew some of his collaborators beforehand, particularly the Wu-Tang members, with whom Rage Against The Machine shared an infamous U. In other cases, the connections were serendipitous, such as when Morello heard K. The very day Yelawolf was born, his teenage mother strapped him into a stroller and rolled him around the mall. The first week of his life, she took him to house parties, and by the time he left high school, the family had roamed to so many towns that Yelawolf had attended 15 different schools.

With his latest release, Love Story, perhaps he can finally downshift. But his rapid-fire delivery and intense live show ensured no one considered him a joke. How do you make that work? Yelawolf was born Michael Wayne Atha in Gadsden, Alabama, where his two musical loves grew organically. His mom dated a sound engineer, and Wolf remembers being onstage at age six with Dwight Yoakam, and Run DMC coming by his house to party after their local show when he was seven.

After being homeless in Berkeley and working on a ship off the coast of Washington state, Yelawolf landed back in the South and started making mixtapes. He was purposefully rowdy, wearing head-to-toe deer hunting camouflage and gold teeth. But their idea was ahead of its time and fizzled. Wolf was poor, and his now ex-girlfriend and their child were still living in Gadsden. He hustled back to Atlanta to record it, and the tape that set his career ablaze and resulted in his working with legends like Bun B and Big Boi was completed in all of a week and a half.

I saw the power in it. And a deep appreciation for outlaw country, for raw classic rock. I started to learn how to blend concepts together. Indeed he did. A smile enters his voice. An industrial city situated in Northeastern Pennsylvania, you could say Scranton quietly prides itself on a tried-and-true Rust Belt blue-collar work ethic. We look forward to putting in another ten. Both the area we come from and the fan base brought us to this point. Graveyard Shift is all about that work ethic. The title track and lead single turned into a Top 20 Active Rock smash and notched In the past, I feel like I always placed the vocals second to music.

This time, there was a focus on trying to make sure the vocals had their big moments. That was a major key in really making Graveyard Shift separate from all of the other albums. I just feel incredibly confident about everything on the record. In less than three months, it amassed 3. Whether the conversations were dark or uplifting, I was ready to approach anything in my way with how I felt afterwards.

I wanted to encourage people to feel the same way. Throughout its 12 tracks, Graveyard Shift weaves together various personal vignettes. Scranton plays a subtle role in the overarching narrative itself. At the same time, he and his bandmates have transported that energy worldwide with Graveyard Shift. We want to show you can take the initiative, go out there, and make a difference for yourself. That rings throughout all of the songs and speaks to the true meaning of Graveyard Shift. Ultimately, Motionless In White have the power to electrify a new love for rock music in the process.

I hope they walk away feeling their love for music was either restored or upheld. Not long after the Vietnam War, Bad Brains rallied a Rastafarian punk spirit against the international blight of apartheid and the coked-out corporate greed synonymous with eighties America. Bringing blue brutality to the forefront of the zeitgeist, N. Dre and eventually Kendrick Lamar, Fishbone tackled poverty and urged for social justice. The list of sonic rebels goes on and on….

In , the United States of America feels ripe for a musical uprising. Divided more than ever in its year history over systemic issues of immigration, race, class warfare, inequality, and misogyny, the time for change is now. The band is The Fever Comprised of vocalist Jason Aalon Butler [ex-letlive. By no means do we expect other artists to take on this task. Most of the people who made big improvements were either assassinated or just called crazy. We make it ostensibly clear that everything we do is in an active effort for change.

Travis and John supported my desire to create something a little dangerous that was subservice: musically and in ethos. We opened the floodgates together. Around this time, the frontman made a conscious decision to disband letlive. It was time for a new era. Feverishly writing, each session yielded more tunes. Last summer, The Fever made their live debut—quite appropriately—on July 4, They hijacked the parking lot of infamous L. On their upcoming EP, that purpose can be felt loud and clear. The people in power benefit from that.

Three is the magic number. The strongest shape in geometry is the triangle with its three points. Our generation has so much power. If we can rally together and cultivate this strength and solidarity, I believe we can be the change. Mark Lanegan is an American alternative musician and singer-songwriter. Born and raised in Ellensburg, Washington, Lanegan began his musical career in , forming the grunge band Screaming Trees.

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He now has a career as a solo artist. Across continents, over oceans, through multiple time zones. From West Hollywood to… Tunbridge Wells. A long way — but Mark Lanegan knows the directions. Early in , Mark was at home in Los Angeles, working on some ideas for what might turn into his next album. Then he got an email from a friend, an English musician named Rob Marshall, thanking Mark for contributing to a new project he was putting together, Humanist.

Now Rob was offering to write Mark some music to return the favour. In the meantime, Mark had written Blue Blue Sea, a rippling mood piece that he thought might be a more fruitful direction for his new record, and had the idea for a song called First Day Of Winter that felt like an apt closer. Whatever my first couple of lines are tell me what the next couple should be. Start with the raw material and let that point me in the direction I want to go.

So, once I was pointed in that direction, the music that came from other sources, from Rob, I just went for the ones that helped me build this narrative that I had started already. Within an hour, Mark had written words and vocal lines for two of the pieces Rob had cooked up at Mount Sion Studios in Kent and pinged through the virtual clouds to California. Both Blues Funeral and Phantom Radio unfurled at leisurely pace over several months. But this time Johannes had only a fixed window of opportunity due to his ongoing touring commitments as a member of P.

But Mark was sufficiently happy with the material to move swiftly, a reflection of contentment with his abilities as a singer and writer, which have now produced a huge body of work spanning a period of more than 30 years: whether it be his own solo records, or collaborative recordings with others, or going back to his legendary first band, the Screaming Trees. Whereas when I first starting making my own records, it was difficult to write them, it was difficult to record them, it was difficult to make something that was satisfying. But part of the way that I stay interested in making music is by collaborating with other people.

By his own admission, as a young man Mark Lanegan used to drive himself crazy when it came to writing songs. Then again, the younger Lanegan lived a crazy life. He grew up in the small Washington State farm town of Ellensburg, in and out of jail for various offenses— aged 20 a doctor told him he would be dead by 30 unless he addressed his alcohol intake. Lanegan would joke that his subsequent hard drugs addiction saved his life. Bubblegum saw Lanegan emerge from the wreckage of the Screaming Trees and his on-off struggles with addiction to create a new template for the blues: part-acoustic, part-electro-rooted contexts mostly produced by Alain Johannes, with a floating cast of helpers, some illustrious Josh Homme; P.

Harvey others not. Seven years of collaboration followed before Lanegan, now a paragon of clean living, delivered the towering Blues Funeral , with its Harmonia curlicues adding new colours to his molasses thick canvas of ongoing doom. And now his latest offering, titled Gargoyle. Emperor is more startling still: a psychedelic music hall ditty, featuring Josh Homme on backing vocals and heavily redolent of the Kinks. I also love that song because Josh is singing on it, and I always love singing with him.

Like that gargoyle on the gothic spire. Why are they? And yet, here we are…. While Joe had no beard to speak of, he and Scott hit it off, and started making songs together. Weird, right? Why make a record 8 years later? But the lore goes: Joe Trohman started writing songs secretly, scantily clad and afraid. He then played them for the rest of the band. As a child, she started singing early and eventually made her way to Los Angeles. Martin recently put together a new, high level, and powerful band including guitarist Owen Barry, guitarist Leroy Wulfmeier, bassist Eliot Lorango, and drummer Jason Ganberg.

Dorothy is releasing their second full-length album 28 Days in the Valley on March 9th. Dorothy is currently on tour. For more information, visit dorothytheband. Their signature sound has been featured throughout television and entertainment. McKeown stomps so hard during his rough and intricate dirty blues, you thought he would make a hole in the stage… A must see.

Grandson is a year-old alternative artist hailing from Canada. At 17, he moved to Montreal to attend university, and began working in nightclubs cleaning tables and DJing. He started writing music at this time, incorporating the unique blend of sounds he grew up surrounded by. He started experimenting with music production and rapping in , dropped out of school and headed to Los Angeles to pursue music full time. He found a small community of musicians to work and perform with in LA and eventually formed his band. Something happens when Badflower singer and guitarist Josh Katz steps up to the microphone.

His primal, powerful, and passionate transformation is the most unmitigated kind of catharsis fueled by emotion and unfiltered intensity…. I embrace it and keep writing in that direction. Little did he know, they had a big surprise up their sleeves. Recorded during a blazing hot California summer, the sessions got so intense that their MacBook Pro often needed to cool down in the freezer. Wielding that energy, the music taps into a gritty and grunge-y gutter rock spirit complemented by jarring theatrical delivery and unshakable riffing, equally informed by Led Zeppelin and nineties Seattle as it is by film composers such as James Horner.

Most people play that victim role. You have the power to get out of it, but you are content there. Joined by the low end of brother Stitch, and drum destroyer, Texas Jo. The music of Memphis May Fire is the sound of hope and compassion, delivered by a dedicated group of men striving for something greater than the world around them. Memphis May Fire is a clarion call to those who insist on bettering themselves, their loved ones and the conditions afflicting the world.

Cares cast aside, problems pushed to the forefront, the visceral connection between artist and audience is alive and audible with each sing-a-long chant. Make no mistake, Memphis May Fire deliver hard rock anthems steeped in modern subculture and the best of radio rock, but their purpose continues to evolve into something greatly bigger than themselves, with no limit as to what they can achieve.

Amidst myriad struggles, they returned from the brink under a new banner. At the same time, I was trying to deal with the loss of my oldest brother which really hit me hard. During that time, we just bonded like never before. We all meshed because we faced war together. We survived. At the end, we realized we were a real band and decided to make an album representing that resilience. Honestly, we came out of the dark.

The name literally signifies what we went through. We were really going for songs. The structuring made more sense. I was focused on melody and harmony. I really cut loose. All in all, it was the perfect storm. We had so much fun making this, because there were really no restrictions other than creating a heavy and catchy body of work.

It just worked. While some may be beyond help, you never know when you can be the hand that makes a difference. Some are fiction. Some are non-fiction. Some may apply to me. Some may not. Once we started this, things snowballed. More important than the struggle is how you handle it and come out of it. This album is what we were supposed to make. He has created his own blend of alternative rock: poetry, guitar-hooks and break-beats with a fierce determination to make a dent in pop-culture.

A high-spirited rock band with blue collar roots, they truly found themselves when Brett quit school in to join them as lead singer. That record was an immediate hit on the Canadian radio rock landscape. The subsequent creative outburst resulted in an album written in 12 days and recorded in And we had been in the studio with a couple of other producers prior to that and went home empty handed.

They wanted us to challenge ourselves as players and songwriters and pushed me to write from personal experience. After that, the hardest part of recording was choosing which songs to keep for the album. Which is perfectly fitting for a band living young and foolish. There was only legend until cultures were collected. Once told as a cautionary tale of two neighborhood kids, their story mutated into a reflection on the horrors of the society that produced them.

What happened between those early days in the neighborhood and the present day is often debated. Gardens were made of concrete and a reality sustained only by dreams of places where the train tracks went. Pops was hard because hard makes leaders in the human chain of command. Thieves and liars giving way to an influential artist elected to rebuild a crumbling nation? Jean and Eaddy kept lampin in overlapping circles of connected streets, bordering cities and shuffled between under funded public schools.

Mental hard-drive uploads with flow served to drive them to finally jump on that train to see what else was out there and what they found changed them irrevocably. Eaddy began branching out, bringing hardcore like Bad Brains back home with him. They were armed only with a pawn shop sampler and the power to influence. Born to lose in Jersey, reborn in NYC and subsequently reimagined Rewired to spread a promise for the next emancipation from time.

The gospel, the vibration, hardcore punk, rage and rhyme — theOGM and Yeti Bones emerge transformed into weapons of mass expression and the spectacle known today only as Ho99o9 horror. Then just like that, Ho99o9 vanished from the east coast, allegedly recruited into a beat laboratory in Los Angeles.

They baptized in blood and emerged wrapped in a sound that had not yet been heard. A congregation gathered in a scene of like-minded mutants and L. And Today — a new nation rises to smash the guise of the god-head. Some bands play it safe when it comes to taking their next steps. You Are We was basically a demo for this record. An explosive, relentless four-minute anthem, it takes everything you know and love about While She Sleeps — clattering riffs, bruising breakdowns, snarling lyrics and big-ass singalongs — and sticks them in a blender.

With a bigger platform to get their music into the world and a firestorm of a first single released, is shaping up to be the year of While She Sleeps. For a band that have spent over a decade redefining modern metal, it seems the best is yet to come. The fourth full-length from Basement, Beside Myself is an intimate look at the drawbacks of living in your own head, and the attempt to shake off everyday anxieties.

But for all its intense introspection and confessions of self-consciousness, Beside Myself centers on a powerful, passionately charged sound that makes every track feel deeply cathartic. A relentless burst of pure vitality, the album expresses its unrest in the language of furious guitar riffs and visceral rhythms.

In creating the album, Basement focused on channeling the raw energy of their live performance, adding little adornment beyond the occasional synth line or piano melody. With its eerily ethereal guitar tones, the song is threaded with plainspoken yet piercing lyrics e. After the PA had sputtered out for the second time, Gagneux turned to the audience, his slight frame and clouds of black hair silhouetted against the blue lights and mounds of gear, an apologetic grin upon his face.

He sang back the next line, and back came the thunderous chorus, rising from several hundred throats. That call-and-response only lasted a few seconds, but its impact reverberated through the rest of the festival. Lest we forget, Gagneux possesses an incredibly powerful, versatile voice, as well as a thoroughly original sound and the chops to pull it all together seamlessly. As a result of a racist comment, he stumbled onto a winning combination: a purposefully unholy conflagration of African-American spirituals, chain gangs songs, the blues, and Satanic black metal that drew lines between Scandinavia and the Delta, summoning both the blasphemous evils of the North and the bloodstained history of the South.